I like some of these too. I just want to invite my fellow authors to join me in thinking outside the box. So here goes nothing. Medieval Europe-like Setting Yeah, I know, swords and castles and kings are all very exotic and they certainly seem to be happy bedfellows with magic and various elements borrowed from mythology e.
However, she will most likely not have an abortion for one of three reasons: She thinks it over for a while, then decides that, no, she's going to keep the baby.
This may be followed by a Convenient Miscarriage.
Which, ironically, she will never be relieved by; she'll be sad because now she wanted it. She actually decides to have it done, but somehow things don't turn out as she expects, and her attempted abortion is aborted. If she actually goes through with the abortion, and doesn't suffer gruesome complications from the procedure or a certain amount of moral guilt and uncertainty afterwards, it's usually to show that she's a deeply damaged, screwed-up individual.
If this happens, but it is played for laughs, it's a Black Comedy.
If the male character who got her pregnant voices support for the abortion option, it's played as a Kick the Dog moment to show what a jerkass the guy is.
Writing a character who has an abortion and feels ambivalent or uneasy cliches to avoid in fiction writing a foil her choice is generally verboten. However, if the character decides to keep the child, a large avenue of potential plot lines opens up for the writer to exploit.
The other 'a' word adoption hardly ever enters into consideration even if abortion itself is ruled out. There are several reasons for this. In serial media such as television and comic books, a baby given up for adoption can be seen as a dangling plot thread that the audience will expect to be picked up some day.
Also, adoption requires carrying the baby to term. If the woman merely needs to figure out what to do with the baby, this is irrelevant, but if she wants to conceal the fact that she was ever pregnant to begin with, it may not suffice.
And abortion can be counted on to get a stronger reaction from the audience than adoption. Similar story logic applies to why we rarely see women taking advantage of the safe-haven laws that exist in all 50 states and simply allow them to "surrender" a child to the state without even contacting an adoption agency.
This trope's usage can be executed poorly by writers suffering of Critical Research Failuremostly in the field of medicine, where they would show archaic methods used by a Back-Alley Doctor mostly the use of a hook-like object as being the norm of respectable clinics, as well as showing a fully formed fetus 8 months old or so instead of a tiny mostly amorphous embryo when it comes to what resides inside the pregnant woman's womb early-on, when nearly all abortions take place.
The Trope can often contrast with Deliver Us from Evilwhich shows that a bad girl would likely feel the same way. Most importantly, however, is that this trope turns upon the false Begging the Question choice between responsibility and personal freedom.
From a narrative standpoint, adoption is a kind of a cheat since it allows the woman to have both, thus allowing the author to resolve the conflict without answering the underlying question.
If adoption is mentioned, it will usually be ruled out with some justification or other. No Real Life Examples, Please! This is a very sensitive topicand the term "good" as applied to a living person is very subjective.
In Japanese culture, abortion is neither as culturally polarizing a topic most Japanese accept it, and it is not taboo in either Buddhism nor Shinto, the dominant religions nor as strictly legally restricted, and has been effectively available when required for centuries.
Ironically, birth control is far more polarizing and legally restricted in Japan, which leads to the Japanese typically aborting unwanted pregnancies instead of using contraceptives to manage family sizes. A fourth reason was used to justify Hinako giving birth to her second pregnancy in Bitter Virgin her first was miscarried before she even realized she was pregnant - the doctor told her that if Hinako went through with an abortion, her body wouldn't be able to take it and she might never be able to bear children again in the future.
As a result she was made to carry the baby to term and gave it up for adoption. In Ayashi no CeresAya eventually learns that she's pregnant.
Nothing is discussed for some time because the deaths of Chidori and Touya, who is the father of Aya's child, is in the foreground, until Aya returns to her home.
She's still processing the news herself until her doctor friend asks her what she's thinking of doing.The Beginner's Goodbye - Kindle edition by Anne Tyler.
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Some ideas have been done to death in science fiction. thoughts on “ 11 Exhausted SF Tropes You Should Avoid. Really.
” debbiemoorhouse. July 18, If a novel is full of stereotypes and cliches, that’s just bad writing. Reply. Say What. July 20, pm. “A cliché is a traditional form of human expression (in words, thoughts, emotions, gestures, acts) which – due to repetitive use in social life – has lost its original, often ingenious heuristic power.
The Cavalier of the Apocalypse (Aristide Ravel Mysteries Book 1) - Kindle edition by Susanne Alleyn. Download it once and read it on your Kindle device, PC, phones or tablets.
Use features like bookmarks, note taking and highlighting while reading The Cavalier of the Apocalypse (Aristide Ravel Mysteries Book . Cliché examples (and how to avoid) Ever wanted to groan out loud at how obvious and unoriginal a phrase, plot point or character in a book was?
Common clichés in fiction weaken the dramatic effect and imaginative power of a story. 10 Worst Science Fiction Cliches As a science fiction writer I must say that there are certain cliches that just really annoy the hell out of me. I’m going to .